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CULTURE WARS II N.E.A.: The Implosion of a Model Arts Agency
Table of Contents
"Writing about the Moral Majoritarian savaging of Andres Serrano's Piss Christ a
few weeks ago, I suggested that 'an outright assault on the independence of the
[National Endowment for the Arts] may be in the making.' Talk about understatement!
Certain members of Congress have latched onto the Serrano flap like pit bulls in heat."
-Village Voice, 1989
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"Stream of Consciousness: Andres Serrano's Piss Christ," and follow up, Village Voice, 1989, Piss Christ and its immediate aftermath
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"Critics Smell the Censor at Artists Space" and "Black Thursday: Frohnmayer Fiddles, Artists Burn," Village Voice, 1989, The AIDS-exhibition Witnesses: Against Our Vanishing at Artists Space as political football
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"Continuing Coverage: N.E.A.," Village Voice, 1990-94, From ethical conflicts and critic bashing, to grant reversals and litigationan agency in turmoil
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"N.E.A. 4 (all right, 2 of them) Re-Unite," Artery: The AIDS-Arts Forum website, 2000, Tim Miller and Holly Hughes discuss the N.E.A. suit of the decade
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"Dear John," Village Voice, 1993, A review of John Frohnmayer's Leaving Town Alive: Confessions of an Arts Warrior
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"Continuing Coverage: Jane Alexander's New Role as N.E.A. Chair, Village Voice, 1992-93
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"Who (N.E.A.rly) Killed The N.E.A.?" Art in America, July 2001, A review of Jane Alexander's Command Performance: An Actress in the Theater of Politics and Michael Brenson's Visionaries and Outcasts: The N.E.A., Congress, and the Place of the Visual Artist in America
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© 2003
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