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Public Art: Artists Take It to the Streets, Prisons & Discos
Table of Contents
"Does allowing employees to make decisions about selecting art inspire
demands for more input into corporate decisions of all kinds? [Lynne] Sowder
suspects that this is the case...[But] put another way, the paradoxical
contradiction inherent in First Bank System's visual arts program is that
the employees don't have unusual power outside the realm of the division of
visual art. FBS's visual arts program became a lightning rod for discontent
by simultaneously focusing attention onand distracting attention fromthe
real problems at FBS."
-Village Voice, 1990
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"Artisco: Strobe Light Becomes You," ARTS, 1985, A-list art for clubs and discos
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"Labor of Love: Judy Chicago's Birth Project," Focus, 1982
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"Stop, Signs!" Village Voice, 1987, and "Mall Brawl," Village Voice, 1990, David Bermant, the Lorenzo de Medici of the shopping mall, courts controversy
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"Artworkplace," Village Voice, 1990, The birth and death of First Bank System's revolutionary art program
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"Art as Shelter," Village Voice, 1990, The Artist/Homeless Shelter collaborative
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"Continuing Coverage: Public Art," Village Voice, 1987-94, From contentious art in malls to an artist who won't take down her work
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"A Message On The Wall: Race and Rifles in Mike Alewitz's Maryland Mural Project," The Media Channel website, 2000, Gun-totin' heroine Harriet Tubman's heritage is up for grabs
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"When the Art Is Public, the Making Is, Too," New York Times, 1995, An account of Judy Pfaff's realization of one of the largest public-art projects of our day
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"Girls With Wheatpaste and Web Space," The Media Channel website, 2001, An interview with DAM! (Dyke Action Machine!) the culture-jamming duo, that targets the lesbian online and on the street
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© 2003
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