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Queering the Mix: Gay & Lesbian Artists Demolish the Closet
Table of Contents
"Civil rights and later liberation struggles are a reminder that no one gives us permission to be free: we take it. Not many career-minded gay and lesbian artists came out during the '70s; it wasn't until the mid '80s that AIDS finally emptied art-world closets."
-Village Voice, 1994
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"Art on Stone Walls," Village Voice, 1989, The Center Show is a riotous celebration of the twentieth anniversary of the Stonewall Rebellion
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Queer Pop: "Hudson in New York," the arrival of Chicagoís lavender-tinged gallery in New York, 1988; Keith Haring, "A Tribute," 1990; "Queer TV Diary," a week glued to the TV set during Gay Pride Month, 1993; and "May I Speak Phrancly," an homage to the Lesbian-Jewish, performance-artist folk singer extraordinaire, 1994
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"October in Revolt," Village Voice, 1990, Did the art-theory journal October succumb to homophobia?
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"Politicking in D.C.," Village Voice, 1993, "Queer Eyes/Queer-ize" proclaimed the Arts Contingent for the March on Washington
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"Queer For You," Village Voice, 1994, Exhibiting the 25th anniversary of the Stonewall Rebellion
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"Very Queer Indeed," Village Voice, 1995, The largest queer show ever in Berkeley
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"Lesbian & Gay Whatzis," Village Voice, 1995, Lesbian/Gay Pride Month and the ghetto
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"Goodbye Lesbian/Gay History, Hello 'Queer Sensibility': Meditating on Curatorial Practice," Art Journal, 1996
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"Art = Life," 7 Days, 1989, A review of work by Felix Gonzalez-Torres and Donald Moffett
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"Bumble Bees and Rectal Pears: Frank Moore Muses on the Sweet and the Sour," Artery: The AIDS-Arts Forum website, 2000, An interview
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Queering the Mix: Reviews of James M. Saslow's Pictures and Passions: A History of Homosexuality in the Visual Arts and Harmony Hammond's Lesbian Art in America, Art in America, 2000 and 2001
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© 2002
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