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Art in Familiar Formats
Table of Contents
"Irony is so central to modern art and literature. We tend to forget that there have been more than one type of personality trait among modern artists. Everybody knows the tortured expressionists--beginning with Van Gogh and ending with Ab Ex-ers like Mark Rothko...but far more interesting and equally relevant were another kind of artist: the dandies and flanneurs."
-Chema Cobo: Psyche as Site, Sight, Cite, 1998
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"Frontier: On Richard Avedon's Vision of the American West," ARTS, 1985
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"Border Lines: The Border Arts Workshop Goes High Tech," Village Voice, 1989
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"John Cage, Printmaker," Print Voice, 1983
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"Chema Cobo: Psyche as Site, Sight, Cite," A 1998 catalogue essay (with Steven Watson), an unconventional, 3-way interview with philosopher-painter Chema Cobo
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"Labor of Love: Judy Chicago's Birth Project," Focus, 1982
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Stephen Hannock: a 1995 catalogue essay and a 1996 interview with a painter who couples landscape concerns--past and present
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"David Ireland," a 1984 catalogue essay about the self-described 'post-disciplinary' artist
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"Touching the Rawest Nerves," Contemporanea, November 1989, provocateur Hans Haacke targets the public relations ploys of corporations and the art institutions that collaborate with them
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"Hung Liu: Sensing the Self," a 1994 catalogue essay about identity in the work of this Chinese-born painter
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"Bumble Bees and Rectal Pears: Frank Moore Muses on the Sweet and the Sour," Artery: The AIDS-Arts Forum, 2000, an interview
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"The Body and the Body Politic," a 1992 catalogue essay for the Dui Seid retrospective
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"Art = Life," 7 Days, 1989, a review of work by Felix Gonzalez-Torres and Donald Moffett
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Ken Aptekar, Andy Davey & Daniel Goldstein: short catalogue essays from the '90s
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Reviews (& News): Richard Artschwager to Andy Warhol
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© 2003
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