|
|
|
|
N.E.A.: The Implosion of a Model Arts Agency
Table of Contents
"Writing about the Moral Majoritarian savaging of Andres Serrano's Piss Christ a
few weeks ago, I suggested that 'an outright assault on the independence of the
[National Endowment for the Arts] may be in the making.' Talk about understatement!
Certain members of Congress have latched onto the Serrano flap like pit bulls in heat."
-Village Voice, 1989
|
-
"Stream of Consciousness: Andres Serrano's Piss Christ," and follow up, Village Voice, 1989, Piss Christ and its immediate aftermath
-
"Critics Smell the Censor at Artists Space" and "Black Thursday: Frohnmayer Fiddles, Artists Burn," Village Voice, 1989. The AIDS-exhibition Witnesses: Against Our Vanishing at Artists Space as political football
-
"Continuing Coverage: NEA," Village Voice, 1990-94 From ethical conflicts and critic bashing, to grant reversals and litigation--an agency in turmoil
-
"NEA 4 (all right, 2 of them) Re-Unite," Artery: The AIDS-Arts Forum, 2000. Tim Miller and Holly Hughes discuss the NEA suit of the decade
-
"Dear John," Village Voice, 1993 A review of John Frohnmayer's Leaving Town Alive: Confessions of an Arts Warrior
-
"Continuing Coverage: Jane Alexander's New Role as NEA Chair, Village Voice, 1992-93
-
"Who (Nearly) Killed The NEA?" Art in America, July 2001, pp. 27-29. A review of Jane Alexander's Command Performance: An Actress in the Theater of Politics and Michael Brenson's Visionaries and Outcasts: The NEA, Congress, and the Place of the Visual Artist in America
|
|
|
|
|
|
|
|
|
© 2003
|
|